“Sympathy”, “We Wear the Mask” & “Harriet Beecher Stowe” by Paul Laurence Dunbar

 A few more poems by Paul Laurence Dunbar.

 "Sympathy"

I know what the caged bird feels, alas!
        When the sun is bright on the upland slopes;
    When the wind stirs soft through the springing grass,
    And the river flows like a stream of glass;
        When the first bird sings and the first bud opes,
    And the faint perfume from its chalice steals —
    I know what the caged bird feels!

    I know why the caged bird beats his wing
        Till its blood is red on the cruel bars;
    For he must fly back to his perch and cling
    When he fain would be on the bough a-swing;
        And a pain still throbs in the old, old scars
    And they pulse again with a keener sting —
    I know why he beats his wing!

    I know why the caged bird sings, ah me,
        When his wing is bruised and his bosom sore,—
    When he beats his bars and he would be free;
    It is not a carol of joy or glee,
        But a prayer that he sends from his heart's deep core,
    But a plea, that upward to Heaven he flings —
    I know why the caged bird sings!

"We Wear the Mask"

We wear the mask that grins and lies,
    It hides our cheeks and shades our eyes,—
    This debt we pay to human guile;
    With torn and bleeding hearts we smile,
    And mouth with myriad subtleties.

    Why should the world be over-wise,
    In counting all our tears and sighs?
    Nay, let them only see us, while
            We wear the mask.

    We smile, but, O great Christ, our cries
    To thee from tortured souls arise.
    We sing, but oh the clay is vile
    Beneath our feet, and long the mile;
    But let the world dream otherwise,
            We wear the mask! 

“Harriet Beecher Stowe”

She told the story, and the whole world wept

At wrongs and cruelties it had not known

But for this fearless woman’s voice alone.

She spoke to consciences that long had slept:

Her message, Freedom’s clear reveille, swept

From heedless hovel to complacent throne.

Command and prophecy were in the tone,

And from its sheath the sword of justice leapt.

Around two peoples swelled a fiery wave,

But both came forth transfigured from the flame.

Blest be the hand that dared be strong to save,

And blest be she who in our weakness came—

Prophet and priestess! At one stroke she gave

A race to freedom and herself to fame.

“Ere Sleep Comes Down to Soothe the Weary Eyes” by Paul Laurence Dunbar

Born in Dayton, Ohio, 1872, Paul Laurence Dunbar’s first collection of poems Oak and Ivy was published in 1893. Because of the favourable review by William Dean Howells of Dunbar’s second book Majors and Minors (1896), Dunbar’s success was assured from that time on and he became a national literary figure. Other works soon followed, even after he was diagnosed with tuberculosis in 1900: Lyrics of Lowly Life (1896), Folks from Dixie (1898), Lyrics of the Hearthside (1899), The Strength of Gideon (1900), Lyrics of Love and Laughter (1903), In Old Plantation Days (1903), The Heart of Happy Hollow (1904) and Lyrics of Sunshine and Shadow (1905). He passed away in 1906.

Ere sleep comes down to soothe the weary eyes,

  Which all the day with ceaseless care have sought

The magic gold which from the seeker flies;

  Ere dreams put on the gown and cap of thought,

And make the waking world a world of lies,—

  Of lies most palpable, uncouth, forlorn,

That say life’s full of aches and tears and sighs,—

  Oh, how with more than dreams the soul is torn,

Ere sleep comes down to soothe the weary eyes.

Ere sleep comes down to soothe the weary eyes,

  How all the griefs and heart-aches we have known

Come up like pois’nous vapors that arise

  From some base witch’s caldron, when the crone,

To work some potent spell, her magic plies.

  The past which held its share of bitter pain,

Whose ghost we prayed that Time might exorcise,

  Comes up, is lived and suffered o’er again,

Ere sleep comes down to soothe the weary eyes.

Ere sleep comes down to soothe the weary eyes,

  What phantoms fill the dimly lighted room;

What ghostly shades in awe-creating guise

  Are bodied forth within the teeming gloom.

What echoes faint of sad and soul-sick cries,

  And pangs of vague inexplicable pain

That pay the spirit’s ceaseless enterprise,

  Come thronging through the chambers of the brain,

Ere sleep comes down to soothe the weary eyes.

Ere sleep comes down to soothe the weary eyes,

  Where ranges forth the spirit far and free?

Through what strange realms and unfamiliar skies

  Tends her far course to lands of mystery?

To lands unspeakable—beyond surmise,

  Where shapes unknowable to being spring,

Till, faint of wing, the Fancy fails and dies

  Much wearied with the spirit’s journeying,

Ere sleep comes down to soothe the weary eyes.

Ere sleep comes down to soothe the weary eyes,

  How questioneth the soul that other soul,—

The inner sense which neither cheats nor lies,

  But self exposes unto self, a scroll

Full writ with all life’s acts unwise or wise,

  In characters indelible and known;

So, trembling with the shock of sad surprise,

  The soul doth view its awful self alone,

Ere sleep comes down to soothe the weary eyes.

When sleep comes down to seal the weary eyes,

  The last dear sleep whose soft embrace is balm,

And whom sad sorrow teaches us to prize

  For kissing all our passions into calm,

Ah, then, no more we heed the sad world’s cries,

  Or seek to probe th’ eternal mystery,

Or fret our souls at long-withheld replies,

  At glooms through which our visions cannot see,

When sleep comes down to seal the weary eyes.